Seedance prompt for the Crazy Frog chase, free of names

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Reference-image clip, 15 seconds, widescreen: cinematic action film, photorealistic, hard cuts.
The RIDER is Image 1; face, skin tone, hair, body shape and clothing are preserved. For an animal, toy or drawn character, the look is preserved; an animal stays its species and crouches, front paws reaching forward as if gripping handlebars.
Scene: dusk, a raised futuristic highway of concrete, with sweeping ramps, barriers carrying yellow-and-black chevron boards and vast concrete towers far away. Half a metre over the road, the RIDER hangs in a crouch, knees bent and fists reaching forward on invisible handlebars; the space underneath is empty, with no bike, board or wheels. Chasing is a police officer in dark blue with a peaked cap, riding a slim grey-and-white hoverbike that flashes red and glows cyan at the thrusters. Keep the frame free of logos and legible text.
Timeline:
0-4.5s, tracking shot from the front at low height: the RIDER smiles broadly, leans through the bend and steers the invisible handlebars, releasing them for a moment then regripping; far behind, the hoverbike comes into view.
4.5-6.5s, tight on the unsmiling officer astride the hoverbike, lights blinking red.
6.5-10.5s, low wide shot from ahead: glancing back, the RIDER notices the hoverbike drawing closer and yells in panic, hands raised.
10.5-11.5s, camera behind and low, dropping along the ramp; a cyan streak marks the hoverbike as it flashes by the lens.
11.5-13s, overhead aerial view sweeping across ramps and towers while the pair shrink to dots below.
13-15s, wide shot at ground level through a hard bend, with the RIDER leaning over and the hoverbike chasing close.
Audio: quick, bouncy electronic dance track with wind noise, a hover engine whine and a siren. No singing, no lyrics.
No captions, no logos, no watermark.

How to use it

• Attach your picture as Image 1 and call it Image 1 as well if the tool wants tags.
• If your plan caps the clip at a shorter length, keep the early beats and cut the late ones.
• Names, songs and brands do not belong in the timeline. They tend to be filtered, which is why only the action is described.
• Limits and plans differ per tool and shift often, so set the first line to the length and format yours permits.