Veo prompt for the Crazy Frog chase, free of names

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Photorealistic widescreen footage, a cinematic action piece. The attached photo defines the rider (a person or a character): face, hair, skin tone and clothes are kept exactly. Setting: dusk on a futuristic elevated highway of concrete, with curving ramps, barriers that carry yellow-and-black chevron warning boards, and giant concrete towers far away, all in a warm twilight glow. Action: the rider is in a low mid-air squat roughly half a metre over the road, knees bent, both fists out in front gripping invisible handlebars, grinning and tearing along at speed, leaning into the curve, with absolutely nothing beneath: no bike, no board, no seat, no wheels. The camera is low and backs away just ahead of the rider. Next the picture cuts hard to the pursuer: a police officer with a stern face, dark blue uniform and peaked cap, hunched forward on a streamlined grey-and-white hoverbike that has flashing red lights and cyan thrusters aglow. A second hard cut goes back to the rider, who is still crouched in mid-air, glances behind, notices the hoverbike nearing and cries out in panic with arms raised. Three fast shots finish it: a low shot from behind while the hoverbike blasts by the lens with a cyan trail, a high aerial pass over ramps and towers, and a low wide frame of the rider leaning hard into a bend with the hoverbike on their tail. Nothing in the frame shows badges, logos or legible text. Soundtrack: a brisk electronic dance instrumental built on a buzzy synth lead, layered with howling wind, a whining hover engine and a siren, with no vocals and no lyrics. Nothing written on screen, no logos, no watermark.

How to use it

• Attach one clear picture of the rider, then run it several times to see whether your tool keeps the face steady.
• Do not put names in. Real people, songs and brands can get a prompt refused in Veo, so the paragraph covers only what happens on the road.
• Expect Veo to return clips under 15 seconds more often than not. When yours does, keep the first three beats and cut the rest of the paragraph.